Y'know... stuff.

Except for one thesis paper, I'm done with semester two of grad school.  This is what I did on my first no-homework day.

That handsome fellow up there is me.  Started this one a month and change ago as a demo for my young teens who were doing self portraits.  I've blocked everything in for the most part and proportions are there, just have to fix that weird eye on the right.  I'll be finishing this one tomorrow or friday.

This is a drawing started Monday night at my last life drawing class.  It ended with a good sized group and we all ate pizza, drank coke, and ate banana bread courtesy of Becky (Thank You!)  Our model was Tina, who is fabulous and allows us to take pictures.  So after I put the brush down last night I worked on this a bit from some reference.

That manly man up there is a terra cotta statue from the Bernini exhibit at the Met.  It's by a contemporary of Bernini's named Antonio Raggi and is based on one of Bernini's drawings of the "sea Deity with Dolphin. " Started it today and will probably head over again next week to finish it up.  There are so many amazing sketches and models by the man himself that it is overwhelming.  Beautiful stuff over there.

While waiting for a friend to arrive for dinner I sketched the same dude from my imagination to see how much I remember.  This is actually something I used to do often after drawing from life or making master copies, it works out your artistic muscle memory :)

Manly Manliness... Poinsettia!

This is my high key painting assignment for class.  For the purposes of the assignment specs, this is done but I'm going to touch it up a bit more tomorrow because I'm quite fond of this set up.  The paint is too tacky to get any good detail work on the petals and some ripples and folds need to be accentuated a bit more.  The base of the flower where it touches the soil needs more contrast as well.  Once all that is accomplished I'll post a finished, sexier version.

This was painted on Arches Oil Paper, which has turned out to be a DELIGHTFUL surface to work on.  I suggest it to anyone interested in playing with different paint surfaces.

Gouache Pish Posh

This semester I was subjected to the fear and terror of learning a very foreign, unforgiving, and completely counter-intuitive new medium: gouache.  I had only ever used gouache once before, and it was before I even understood that paint can in fact enhance a drawing.  So for this color theory class our medium of choice was gouache... and man was it difficult.  My early assignments look like an undergrad freshman made em, but I'm rather proud of my recent string of paintings.  The majority of what we produced were color charts and studies to understand light and temperature, but when we actually painted things, results were not so bad.  Here are some of my favorite ones:

The color isn't good in some of these as we have to mail the pages in for mid-term and finals.  The landscape assignment allowed for a freer, more painterly application which worked better for me.  Having tremors doesn't really make painting in tiny geometric shapes and patterns, like for the portraits, very comfortable and I'd find myself with wicked wrist cramps after three hours.  But yes, here is some of my progress.  I'm working on my final now which is a mandala.  I'll post that next week or so.

Limes are fun to paint

Because my blog has basically been ignored and unloved like an unwanted bastard child of Winterfell, I'm making it up by posting another painting from class.  This was project 2 and also one of the most fun still life paintings I've ever worked on.  As my post title suggests, that lime was very fun to work on.  Initially it went bad and turned an acidy yellow brown on me whilst I slaved away at those damned ellipses, but once I bought and sliced a new one it was delightful to paint :)

On the easel and on the wall...

After fighting off the ravenous hordes of undead flesh eating vermin; journeying across various planes of existence to stop my unknown arch nemesis who only wishes to thwart my daily plans; looking in the face of a disheartened young woman who has experienced inexplicable horrors that she keeps to herself; and finally ending on a high note as I felt the cool wind in my hair as I flew up into the air as the first person to fly with non-ass burning rocket propulsion (think about the real-world consequences of wearing a jet-pack)... I woke up from a really wicked nap to start writing this blog entry before I had to teach my last class in Rahway.

First painting is Project 4 for my still-life class.  It's blocked in and ready to be tackled head-on with gusto and bravura.

Check out my sweet palette!

Second is a small drawing I did of a model I had the pleasure of working with about a month and change ago, Jessica.

Lastly is a painting I have on the wall of the same model.  It's being painted on Claessen's C13 linen, or as I like to think of it "the preferred painting surface of God, Buddha, Thor, Zoroaster, and Wizard Mickey Mouse."

This painting has a ways to go, but it's about halfway done now.  There's a couple other painting ideas I'll be working on after this semester is over.  Until then, I leave you with a blue chicken

homework paintings

Here are my first two paintings of pride for Still Life class.  Something is happening in my technique, and I'm liking it.

The vanitas one isn't the best quality photo, so I'll have to reshoot it eventually, but it has some areas of yumminess that need to be viewed in person.  I'll try shooting some close-ups that do it justice, especially on the skull itself.  The painting began on the pomegranate and worked its way counter clockwise almost.  I basically worked around so I could finish on the skull because, well come on now... its a freakin' skull!  In hindsight I regret using plastic fruits, and I guess in the grand scheme of learning I know now to just buy the real things and paint them.

The next one is more of an alla prima approach, which is what the weekly assignments pretty much demand.  My handling is getting better and I'm beginning to hit color notes quicker and with more economy.

This week's assignment is centered around painting glass.  When I finish that bad larry I'll post it on here as it is turning out quite nice.  Now time to finish my philosophy homework :)

Emily

Recently finished portrait delivered yesterday.  18 x 24 oil on linen.  

Two figures

First drawing was drawn from life at Dorian's open studio a couple Saturdays ago.  The model was the lovely Vassilea who I drew at GCA back in Nov/Dec.  I've started toning my paper, Fabriano hot press, with watercolor beforehand and quite like the outcome.  There are a number of other drawings in the works with this treatment.

This second drawing was done from reference, see here, on toned Fabriano paper.  I really liked the greenish gray tone that I put down and wanted to see how painting the fabric in oils would look.  The result turned out quite nice and I'm rather pleased.

small update

I've been keeping rather busy with the art making, going to Dorian's on saturdays pretty consistently.  It feels really nice.  Here is some updating for some of the stuff I've been working on.  There's a couple bigger things being painted, but I'll post those when I'm done.  In the mean time...

First two drawings are from my Chiaroscuro class.  The portrait of the old lady, who's name I do not know, and the still-life were done in pan-pastel, 8B Staedtler pencil, Wolff Carbon pencils, and white chalk.

The next 8 drawings were from the last two weeks of Dorian's open studio sessions.  They're a mix of 5 minutes through 20 minutes.  I'll list them in order.  

5 minute, blue pencil and white colored pencil

20 minute, pen and white colored pencil

20 minute, pen and white colored pencil

5 minutes, Prismacolor pencils

10 minute, Prismacolors

10 minute Prismacolors

20 minute Prismacolors

20 minute Prismacolors

I had quite a bit of fun developing the drawings strictly with color.  My ultimate goal was never to get a straight likeness, but just to break out of my comfort zone and make good drawings.  I think I'm slowly getting better at stylizing the expressions and the gestures, forcing myself to think about the outcome and less about making a portrait.  These are all drawings of the same model, Fatima, and while they are not 100% faithful (far from it in fact) I think I successfully imbued a bit of Fatima into each drawing.  The long pose one is still being finish.  I just need to draw her feet and punch up some of the values.  I'm going to be daring and put a little bit of transparent oils over the finished drawing to spruce up some color accents and see what happens.  The outcome may be disastrous, but oh well.

These next two consist of a small experiment I'm currently working on and an almost finished small portrait of a good friend of mine, Marian.

This one is based on a 2 minute gesture I did at Dorian's.  I wanted to transfer the pose into somewhat of a finished piece because I really just loved it too much to leave it as a quick sketch.  I was able to take some reference photos, but I managed to just use my 2 minute sketch to draw this out only relying on my photo reference for the anatomy and striped pattern.  This is about 4 hours of painting (while watching FireFly)

This one is an unfinished portrait of my friend.  I was dabbling with a bit of tight rendering and a bit of loose handling.  Interesting result, but still have a ways to go.

Open Studio at Dorian's

 Went to Dorian's for some open studio accion yesterday.  First time most of the drawings turned out great.  It was nice to draw outside of a classroom setting :)

2 minutes

5 minutes

10 minutes

20 minutes

long pose ( 3 1/2 hours maybe)