Thursday, November 20, 2008

Conan progress



Here is Conan in its current, about 65% done phase. I just need to finish his arms, his head, the severed head and some armor detail that'll be added in, as well as the middle ground. I need to figure out that middle ground. His head and helmet won't take very long since its already blocked in pretty nicely. I'm adding a gauntlet to his arms because it looks better than a plain arm. His scars haven't been painted in yet, nor has his necklace, so all in due time. The middleground is what bugs me... rabble rabble rabble

Friday, November 7, 2008

Criticism

I'm open to criticism from anyone even if you hate my work, I honestly don't care what you say as long as there is merit and knowledge behind your dislike. Just don't be an ignorant idiot like this anonymous moron named "The Hand of God" and leave me comments as unenlightening as this critique:

"WOW THIS SHIT BLOWZ ASSSSS, like holy damn son.



...damn this shit sux.


p.s. holy shit this painting blows major aSS"

I wanna insult him/her, but its not worth it :) So bash me all you want so long as you know what you're talking about, otherwise comments like this will just be deleted

Friday, October 31, 2008

teaser



The good part of a painting I'm doing for Primordial Traditions :)

Monday, September 22, 2008

Anatomy for Artists

Anthony Apesos was my painting teacher in my last semester in art school. I fine tuned almost everything I know about oil painting in his class and learned so much more as well. Maybe its because he was my teacher that I held off in buying his book on artistic anatomy titled "Anatomy for Artists: a new approach to discovering, learning, and remembering the body." I've read or skimmed about 20 some odd books on human anatomy. Some blow me away (as do their price tag, yikes) and some i quickly put down. Tony's is a book I always pick up with the intent to buy, but never get to it. So finally after several months of being out and getting great reviews on Amazon and other book markets, I decided to get it. And effing A Cotton, it was worth every penny. I know a good amount of anatomy, names, functions etc etc etc but Tony's book is an incredibly practical and really unique approach to learning human anatomy. Simply put, he asks us, the reader, to point out bones and muscles on our own body and explore their functions so as to fully appreciate their complexity and abilities. As artists this is a gem, an invaluable piece of artistic knowledge that no matter what level of anatomical understanding one has it will open your eyes. So, to everyone who reads this I highly suggest it. Its a great read. And besides, he gives a mean recipe on how to cook a leg of lamb in the first chapter ;)

Thursday, September 18, 2008

Conan

So i'm in a Conan binge, reading the original stories that Howard wrote. Conan of Cimmeria is an interesting guy I tell you what. So I decided, as a fantasy artist, to do my first Conan piece. Now bear with me here. This is a very simple, portrait-esque image of him. My goal for painting is to shoot for a Rembrandt warmth and glow, using very earthy colors and impasto strokes and glazing and all that crazy shit (at least for the times) that Mr. Ran Rijn achieved. I think it works well with Conan too. So here is the finished drawing (might add some more details and minutiae in the paint stage). The photo reference was from the stock art of http://mjranum-stock.deviantart.com/ whose stock is absolutely stunning. Unfortunately right now I do not have the money to hire my own models nor do I know anyone who has the stature and build of Conan. So for the photos used, all credit goes to one Marcus J. Ranum whose site I linked. Without further ado, here's the drawing. A note however, the reddish pink tinge is a byproduct of the scanning process. I have no idea why it does it, but I really don't mind it in this case. That is the first finish, Jamierose however pointed out that his eyes look wonky and I agreed with her (after disagreeing with a million other things :p ) SO I redid his face, rescanned it, and the b/w one i the official finish. I made his scares more prominent and overall I think it just looks better.


Monday, September 15, 2008

Tony DiTerlizzi

For anyone in the NY/NJ are, tomorrow the monstrously talented Tony DiTerlizzi will be present with co-creator and author of the Spiderwick Chronicles Holly Black at Book World in West Caldwell, NJ. They have a new Spiderwick coming out, which should be exciting, and Tony recently came out with another children's book written and illustrated by himself called Kenny and the Dragon which is probably crazy fun to read. Anywho, if anyone in there area cares to go meet them and have them sign your books I think this would be a great chance to do so. I'll probably go there with my kid brother. Just wanted to share the news with fellow budding illustrators and fans of the books.

Wednesday, September 3, 2008

Smaller Jpeg



Of the lady in the water with magical lines drawing. Also thought I should mention I have made a plan to create 4 new pieces of art by November, in time for Illuxcon.

Monday, August 25, 2008

New Drawing





New drawing. Feels like its missing something. She needs tattoos or jewelry or something. Any ideas?

Thursday, August 21, 2008

Rantification #1

Its an interesting debate when someone criticizes another artist's work with zero merit to his claims, and contradicts himself trying to explain his own art. He says Dan has no creativity or imagination since he works solely for commercial purposes, ignorantly say the artist just painted a photograph without even so much as researching the artist in question. This coming from a "professional" who certainly has many year of experience in the illustration world! He even goes so far as to mention several other artists who have revolutionized the visual world with their art and desecrates their names. Anyone can have an opinion, there's no doubt about that. I have many opinions of my own. But when you rant incessantly about a painting, offering no real criticism whatsoever, then i feel that opinion loses all merit. There's an irony in all this as well. The enlightened artist whose critique style i am discussing, has no personal style of his own. Anyone who knows Frank Frazetta knows that his art spawned a whole slew of artists who are merely his clones. Frazetta did something revolutionary in sci-fi and fantasy art and he is on my top three list of favorite artists in any field. Its really easy to copy that style and profit off of it as well as the man's philosophy on art making. So you paint from your head, good for you. Now why don't you paint from your head and not make it look exactly like someone else's work. Take freedoms, just like he says he has. But is copying another's style really freedom?

I may be ranting here myself. But it appalls me that some people, even a self-proclaimed professional artist who has "invented" many more styles of his own, *coughs* have the gall to completely attack someone they don't even know at all, basically calling that artist's work garbage. You can have one style or many styles, but they're only as good as you make them. If its just an imitation then where is your own voice? I've seen his work, most of it thanks to his website and the world wide web. I implore my friends and anyone who happens upon my blog to take a look at:
http://hoffmanmuse.blogspot.com/

Maybe I'm over thinking or over sensitive because I happen to respect Dan, but reading his other entries completely justified everything I just said.

Wednesday, August 20, 2008

More to the whop


Here is a painting I have been working on for the past week or so. I've trashed my old approach to painting as I've learned from looking at some of my favorite painters that over blending flattens things. So she has 0 blending. The tree is in its final rendered form after two previous renderings that I didn't feel captured the tree I wanted to paint. So...feedback is welcome.