No art today. Unfortunately I never took photos of the two drawings I did for the Spirit Gallery show. Had to rush to get the last one framed and everything delivered. However, good news. I spent last Saturday at the Society of Illustrators at the latest Art out Loud event. I have been to a couple of them already, but this one had a bit more punch for me. I have spent the last several months trying to be painterly, painting thicker and looser a la Greg Manchess, Malcolm Liepke, Sargent, etc. I learned an overwhelmingly great deal about the application of paint from all this. But something wasn't right. It didn't feel natural. I was fighting my natural inclination to paint a la Donato Giancola, Bouguereau, Draper, etc. So although it was very fun and as always educational to watch all the artists paint, I parked myself near Donato for probably 3/4 of the event. Anyone who has followed this blog, I don't think many people do read all my ramblings and this is probably more for self gratification, knows I have said that I don't want to paint like Donato but I want to be in that school of thought. Boris Vallejo made a very interesting comment about how Donato paints. He said that he paints "intelligently" whereas he himself just paints and it comes out, since he's been doing it for 50 years or so. Its not that Donato doesn't have the facilities to just go and let the magic happen, but he does put a lot of thought behind each and every single stroke in any piece I've ever seen him work on. And I think its that which I want to emulate most. I can't fight the realist in me. Its hard, and I've accepted it as who I am. I also can't fight the love to paint representationally, making believable flesh and tones. And I think all the loose painting I've been doing has strengthened my abilities as a painter and I can now begin producing art that I think will make me truly happy to show off. So the next few months will be very productive as I have surplus motivation, for more than one reason, and will try to pump out a painting every two weeks. And starting simply with single figure compositions focusing on my weak points to get them to a professional level. With that, I'm off to the drawing board for round one.